Shakespeare Studies
|
Back Numbers of Shakespeare Studies VOLUME ONE 1962Notes on Act V of Antony and
Cleopatra The Base Judean Chabot Admiral of France Shakespeare's Blank Verse The Cloud Theme in Hamlet
VOLUME TWO 1963Theatre Way, the Elizabethan and the
Japanese The World of Lear's Fool: The Dramatic Mode of His
Speech A Note on "The Inverted Platonism" of Shakespeare's
Sonnets Shakespeare's Mediaeval Inheritance Shakespeare, Chikamatsu and "This Tough World" Bibliographical Studies of George Chapman's The
Gentleman Usher (1606) Printed by Valentine Simmes
VOLUME THREE 1964Delight and Laughter: Some Aspects of Shakespeare's
Early Verbal Comedy Shakespeare's Opening Scenes The Temporal Awareness in Richard
III Bibliographical Studies of George Chapman's All
Fools (1605) Printed by George Eld All's Well That Ends Well: A
Reappraisal
VOLUME FOUR 1965-1966A Stylistic Comparison of Gismond of Salome
and Tancred and Gismund Shakespeare and Christian Doctrine Bibliographical Studies of George Chapman's The
Widow's Tears (1612) Printed by Richard Bradock Book Review Northrop Frye. A Natural Perspective: The
Development of Shakespearean Comedy and Romence E. A. J. Honigmann, The Stability of
Shakespeare's Text
VOLUME FIVE 1966-1967Time and Truth in King Lear King Lear and Its Tragic Pattern The Homiletic Tradition in Shakespeare's
Plays The Three Themes in One Harmonious Chord Bibiliographical Studies of George Chapman's An
Humorous Day's Mirth (1599) Printed by Valentine Simmes Book Review A Note on Clifford Leech, "Twelfth Night" and
Shakespearian Comedy
VOLUME SIX 1967-1968Antony and Cleopatra: The Last Phase of
Shakespearean Tragedy In Defence of Shakespeare's Romeo and
Juliet Character Desintegration in the Early
Shakespeare Shakespeare and Wilson Knight Shakespeare in Xanadu The Tragical Composition of Dr.
Faustus 'Mighty Showes': Masque Elements in Jacobean and
Caroline Drama Bibliographical Studies of George Chapman's The
Blind Beggar of Alexandria
VOLUME SEVEN 1968-1969The Concept of the Royal in Shakespeare Kurosawa's Kumonosujo: A Japanese
Macbeth De Casibus Theme and Machiavellism: In
Connection with the Theme of Edwarld II Bibliographical Studies of George Chapman's The
Memorable Mask of the Middle Temple and Lincoln's Inn (1613), Printed
by George Eld
VOLUME EIGHT 1969-1970Armado's "You that way; we this way" Dreams as Metaphysical Visions: a Study of
Shakespeare's Major Tragedies The Religious Dimension of King Lear
VOLUME NINE: 1970-197lThe Comic Sense in Marlowe Reconsidered Cleopatra and Volumnia Theology in Shakespeare
VOLUME TEN 197l-1972On the Palinodial Ending of Cynthia's
Revels The Printing of Philip Massinger's Plays Dryden and Shakespeare
VOLUME ELEVEN 1972-1973Form and Rhetoric in Shakespearean Comedy Gonzalo's "Merry Fooling" Shakespeare and George Herbert The Mixture of the Comic and Serious in
Hamlet and Kanadehon Chu-shingura
VOLUME TWELVE 1973-1974An Essay on the King John Plays from History to
Romance The Structure and Theme of King Lear The Sonnets: From the Poems to the
Poet
VOLUME THIRTEEN 1974-l975Troilus and Cressida: a Tragic Satire "Nature" in Hooker and King Lear Edmond Malone and His Chronology of Shakespeare's
Plays
VOLUME FOURTEEN 1975-1976The Velasquez-like in Twelfth Night The Tempest: a Shakespearean Approach to a
Cultural Clash Shakespeare Prolegomena: 1709-182l
VOLUME FIFTEEN 1976-1977The Fall of Barabas 'Readiness' and 'Ripeness': A Reflection on
Shakespearean Characterization "The Three Sallies" Reconsidered: A Case Study in
Shakespeare's Use of Proper Names
VOLUME SIXTEEN 1977-1978Vindice Vindicatus: The Hidden Trickster in The
Revenger's Tragedy Characterization by Soliloquy: the Case of Edmund
and Edgar Macbeth: A Thief or Dwarf?
VOLUME SEVENTEEN 1978-1979The Lamentable Tale of 'Richard II' "Spotlights" in Shakespeare's Plays Protagonists Who Live Their Own Self-Definition: A
Study of John Ford's Tragedies
VOLUME EIGHTEEN 1979-1980The Praise of Folly and Shakespeare's Early
and Middle Comedies A Fantastical Perspective of A (b/d) -The Suppressed
'Incest' Theme in Twelfth Night 'Would Her Name Were Grace': A Reconsideration of
The Winter's Tale
VOLUME NINETEEN 1980-1981The Structural Innovations of the More Circle
Dramatists 'If Words Will Not Serve': Marlowe's Provocative
History Play The Necessity of Evil: Shakespeare's Rhetorical
Strategy in Richard Ill
VOLUME TWENTY 1981-1982The Merchant of Venice and the Functions of
Lorenzo How to Do Things with "Fall-Out" Systems in
Troilus and Cressida King Lear as a Tragedy of Love: with Special
Regard to Passive Love Observations upon Some Textual and Annotatory
Problems in Antony and Cleopatra
VOLUME TWENTY-ONE 1982-1983A Study of The Devil's Law-Case: with Special
Reference to the Controversy over Women Shakespeare's Humour Plays Beneath Pomp and Circumstance in Henry
VIII
VOLUME TWENTY-TWO 1983-1984The Function of the Chorus in Henry
V Hamlet's Strange Jocularity A Note on Shakespeare's Stage Direction
VOLUME TWENTY-THREE 1984-1985Call and Silence: Style of Distance in Julius
Caesar The Structure of Much Ado About
Nothing The Metamorphoses of the Moon: Folk Belief in Lunar
Influence on Life and the Symbolic Scheme of A Midsummer Night's
Dream
VOLUME TWENTY-FOUR 1986 (l985-1986)Macbeth's Endeavour: Self-Destruction or
Self-Realization? Classics that Revolt: Modernizing Factors in
Sejanus, Epicoene and Catiline Othello's Occupation: The Evils of Nobility
VOLUME TWENTY-FIVE 1987 (l986-l987)Song as Device: Ben Jonson's Use of Seduction Songs
in Volpone and The Devil Is an Ass Juliet, the Nursling of the Nurse The Four Basic Dramatic Functions of Characters in
Shakespeare's Comedies
VOLUME TWENTY-SIX l988 (1987-1988)The Brows of Grace Let Women's Voices Be Heard: A Feminist Re-Vision of
Ophelia 'The Suburbs of Your Good Pleasure': Theatre and
Liberties in Julius Caesar
VOLUME TWENTY-SEVEN 1989 (1988-1989)Shakespeare's Romances and the Court Falstaff's False Stuff: An Essay on the Dramatic
Language of Sir John Falstaff Hecate's Watery Moon as a Guide to Othello's
Imagination A "Purge on Prettiness": Motley's Costumes for A
Midsummer Night's Dream, Shakespeare Memorial Theatre,
Stratford-upon-Avon, l954 Shakespeare Studies, Table of Contents, Volumes I to XXVI 79
VOLUME TWENTY-EIGHT 1990 (1989-1990)Gayatri Chakravorty Spivak and The Merchant of
Venice Miranda's Part Prince Henry and the Revival of the Chivalric
Tradition in Early Stuart England: A Study of Prince Henry's
Barriers (1610)
VOLUME TWENTY-NINE 1991The New Actaeon's Fortune, A and B: Giordano Bruno
in the Two Texts of Doctor Faustus What's in a Name?: Hermione and the Hermetic
Tradition in The Winter's Tale Shakespeare's Surrogate Dramatists
VOLUME THIRTY 1992The Absent Reader: Tension in Fulke Greville's Prose
and Tragedy John Lowin as Iago Double Heresy and Bourgeois Humours in
Windsor Shakespeare's "Fatal Cleopatra"
VOLUME THIRTY-ONE 1993Silence, Speech, and Spectacle in
Hamlet "Ancestral Englishness" in King Lear
VOLUME THIRY-TWO 1994Shakespeare's Peculiarity Shakespeare and the Art of Revenge |